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| title:Editor Theater and Dance Journalist |
| The main activity base： Kanagawa-ken |
| e-mail：chu-chu.@fg7.so-net.ne.jp |
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1989 - 1991: Editor of Art Vision, art magazine.
1991 - 1994: Editor and planner of Apo, entertainment magazine.
1993 - 1999: Regular contributor on art for TJ ticket member’s magazine.
1994 - 1998: Editor and planner of Engeki Bukku （Theater Book）, theater magazine.
1997 - 2004: Regular contributor on stage art for TV Taro, television and cinema magazine.
1998 - 2002: Writer for DanceArt magazine.
2000 - 2002: Editor and planner of Serifu no Jidai, drama magazine.
A regular contributor of stage art for Rubicon Gate, an entertainment portal website.
2003 - : Became planner, editor and publisher of Bacchus, performing arts magazine.
Title / Publisher / Year Published
“Soratobu Kumonoue Dangoro Ichiza: Acharaka Saitannjo” （The Flying Dangoro Party In The Sky, “Rebirth of Acharaka”）, （composing/editing）/ SILLY WALK / 2002
Performing arts magazine, “Bacchus #00 Condors”, （planning/editing/publishing）/ summer 2003
Performing arts magazine, “Bacchus #01 Mizuto Abura （oil and water）”, （planning/editing/publishing） / winter 2003
Performing arts magazine, “Bacchus #02 H.ART CHAOS and Noism04”, （planning/editing/publishing） / winter 2004
Performing arts magazine, “Bacchus #03 Kim Itoh”, （planning/editing/publishing） / summer 2005
“Gendai Doitsu no Pafo-mingu A-tu” （Performing Arts in Germany Today） （planning/editing） / Sangensha Publishing Inc. / 2006
- Reporting and reviews for magazines, newspapers, websites and many other medium - ex. The Kanagawa shinbun（Daily Kanagawa）, The Yomiuri Shinbun（Daily Yomiuri）, The Asahi Shinbun（Daily Asahi）, Weekly Pia, Otona-Pia（Monthly Pia for adult）, Apo, TJ, L magazine, Engeki Bukku（Theater Book）, Theater Guide, REPLIQUE, Serifu no Jidai（Period of Playwright）, Higeki-Kigeki（Tragedy&Comedy）, Koku-Bungaku（Japanese Literature）, Theater Arts, DANCEART, Bacchus, BT/Bijustu-Techou（Art Handbook）, STUDIO VOICE, TOKION, TH（Talking Heads）, Rubicon Gate, e＋, REAL TOKYO, STAGE EXPRESS, Wonderland, TIF Gikihyo-tsushin（Tokyo International Art Festival critical report）, Mecenat Note, etc.
- Plans, edits and publishes books and performance pamphlets.
- Participates in lectures, symposiums and after-show talks
- Participation as juge, selection committee member and advisor
2003 - 2004, 2006: a member of selection committee for Toyota Choreography Award
2003 - 2008: a judge for Guardian Garden Theater Festival
2004 - 2006: an advisor for Creative Activity Assistance Program at Tokyo Metropolitan Foundation for History and Culture
2005-2007: an advisor for Contemporary Theater and Dance grant program at the Saison Foundation
If Saburo Teshigawara and Dumb Type can be likened to the first generation, the rise of contemporary dance in the 90’s is the second generation. Tsutsumi expects that the third generation will appear soon. There is a ward called “Ki Sho Ten Ketsu” in Japanese. “Ki” is introduction, “Sho” is development, “Ten” means transition, and “Ketsu” means conclusion. Tsutsumi thinks that the third generation can be likened to “Ten”, a transition that will change dance history. He is looking forward to witnessing the big change.
